It’s nearly impossible to turn on the television or visit any Walmart, Books-A-Million or Bass Pro Shop without encountering images of the bearded Robertson clan from A&E’s “Duck Dynasty.” It’s the No. 1 nonfiction show in the history of cable television.
Where could they possibly go from here? To Nashville, of course, to make their recording debut.
On Oct. 29, EMI Records Nashville released Duck the Halls: A Robertson Family Christmas. The album features members of the Robertson family singing classic holiday tunes as well as originals, including “Ragin’ Cajun Redneck Christmas,” written by Dallas Davidson and Willie Robertson, the CEO of Duck Commander, the duck-call business that has made them multimillionaires.
“Nothing says Christmas more than big hairy men in Santa hats,” joked Willie.
Thanks to the popularity of any product associated with “Duck Dynasty,” a number of labels wanted to land Duck the Halls. “We felt really awesome to be able to sit down with every company, talk to them and get a feel for who they are and decide who we wanted to go with,” said Korie. “It’s a real honor to us to be able to do that. We’re people with heart, and we go where it leads us. We sat down with Universal and it just felt right. It felt like they were speaking our language. We all looked at each other — it was Willie and I and Jase and Missy went up there — and at the end of the day said, ‘That’s who we feel gets us and gets who we are.’”
Because the Robertsons were busy filming the next season of their show, most of Duck the Halls was recorded at Music City Studios in their hometown, West Monroe, La. Missy helped corral the family and taught them their parts for the group sing-alongs. It helped that they’ve always sung in their local church and were used to singing harmony.
“It was so much fun,” Missy remembered. “That’s my element. I’ve taught kids for so long. The first song we did together was ‘Silent Night.’ We wanted four-part harmony, so I said, ‘I’ll try to get everyone started, and then we can all sing like we do at church.’ I ended up standing in front of them and directing them, like a choral director. They couldn’t all see me, so they brought me a chair. I was like, ‘This is definitely working for me. I’m standing on a chair in front of my family and they are having to watch and listen to me.’ That was a pretty wonderful experience.”
“Missy is obviously a really good singer,” said producer Buddy Cannon. “I leaned on her a lot because the whole family respects her singing ability and her knowledge, so I relied on her to help me coordinate with different people as far as who was going to be in the studio at what time and who would do which parts the best.
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By Deborah Evans Price